Accoudé à la terrasse d’un café de ma ville, je n’ai pas réussi à voir une seule étoile à cause de la lumière des réverbères. 　　“在城市里靠着阳台喝咖啡，可强烈的灯光让我我还没有看到一颗星星。” 　　多久没有看过天上的星星了？一天，亦或者是一周？还是，根本看不到了星星？还记得小时候仰望夜空的时候，北半球的星空图，总有一些星座你认识，但是如今还能找到么？你也有多久没有去郊外玩过，是因为没有时间，还是根本没有了“郊外”——无论到哪里都是人山人海，所有的景点都被开发殆尽——住在城市里的我们，还能逃往哪里？ 　　Sylvain Vincendeau曾在法国“疯影（Folimage）”任职，后者曾是长篇动画《青蛙的寓言》等，短篇《和尚与飞鱼》的制作公司，是个集艺术与商业一体的动画公司，在法国动画史上享有不可磨灭的地位。 　　“在城市里靠着阳台喝咖啡，可强烈的灯光让我我还没有看到一颗星星。” 　　这就是这个故事的灵感来源。 　　这部电影作为对日常生活的思考，我确实只想要一些安静的生活，一些缓慢的节奏，让我逃离城市的纷扰。 　　采用了蜡笔的绘制，这部片子将重点放在了气氛的营造上，这就是为什么这部影片使用了一种广播中的杜比立体声。——只有一个主角，但是喧闹的环境音效却反衬出一种“鸟鸣山越静”的城市孤独感 　　最后，没有任何对话和华丽的技术，这些反而更能表达出电影的气氛 　　Sylvain Vincendeau 1998

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On a wintery January afternoon, Isabelle walks in a park by herself. As groups of boys play football, she strolls about, observing the activities of her fellow park-goers. 　　Speaking on One Fine Morning, Mia Hansen-Løve said she hopes viewers forget they’re watching a movie, instead experiencing life as her film plays. That quality appears fully formed in this early short, in which the sensory overload of a park has you fully present within the subject’s perspective.

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Eric Renard is a drug addict torn between drugs and his dream of becoming a writer. After a failed robbery, he is sent to a rehabilitation center for delinquents in the countryside where he meets Kamel who will help him get off drugs.

Dans la région de Marseille, un patron prépare à l’insu de ses ouvriers la délocalisation de son usine, couplée d’un détournement de 2 millions d’euros. Franck, l’un de ses salariés l’apprend et, sans en parler à sa femme Hélène, décide avec Max, son ami de toujours, de passer à l’action...

A show that’s a bit techie, a bit geeky, but always funny! Every week, Valérie Roberts and her sidekick Julien Corriveau welcome a celebrity and look through their cellphone. Their favourite apps, the number of selfies they take, what song they listen to on repeat, the person they text most often … everything goes!

Through masterful editing and a seamless interplay of sound and image, Catarina Gonçalves crafts a timeless cinematic essay on artistic motion. She follows 17-year-old Nina Pinzarrone, Belgium’s second-ranked figure skater, as she embarks on the delicate yet relentless pursuit of perfection while preparing for her first World Championships. Gonçalves’ intimate black-and-white cinematography remains devotedly close to her subject, capturing exercises and repetitions that reveal both resilience and vulnerability. The result is an elegant portrait of a talent in the making, and of the unwavering dedication behind every great achievement.